疯狂世界Its A Mad Mad Mad Mad World 1963 EXTENDED CRITERION COLLECTION 1080p BluRay DTS x264
2014-02-10 16:10 0 1724 110| 【中文片名】： | 疯狂世界 |
| 【片名】： | Its A Mad Mad Mad Mad World 1963 EXTENDED CRITERION COLLECTION 1080p BluRay DTS x264 |
| 【又名】： | |
| 【格式】： | 1080P |
| 【国家】： | 美国 |
| 【影片类型】： | 冒险 / 喜剧 / 犯罪 |
| 【主演】： | Mickey Rooney / 斯坦利·克雷默 / Spencer Tracy / 米尔顿·伯利 / Tania Rose / William Rose (I) |
| 【时长】： | USA: 154 分钟(edited version),USA: 192 分钟(original version),USA: 174 分钟(restored video version),182 分钟 |
| 【上映时间】： | 1964-01-23 |
| 【评分】： | 7.6 7.4 |
| 【文件大小】： | 15000 |
| 【剧情介绍】： | 点击查看 |
内容简介
xixiHD - High-Definition Bittorrent Community
http://www.xixiHD.com/
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Its.A.Mad.Mad.Mad.Mad.World.1963.EXTENDED.CRITERION.COLLECTION.1080p.BluRay.DTS.x264-xixiHD
http://www.imdb.com/title/tt0057193/
Date ...............: February 10 2014
Runtime ............: 3hr 17m
Size ...............: 14.9GB
Video ..............: 1920x696
Bitrate ............: 9141kbps (x264 [email protected])
Audio 1.............: English DTS 5.1 Ch 1510 kbps
Chapters............: Yes
Source .............: 1080p.BluRay.AVC.DTS-HD.MA.5.1-v99
Subs ...............: English
Screens.............: Opening Week - 1963
Genre ..............: Action | Adventure | Comedy | Crime
Quote:
The additional footage was transferred from 70mm print trims, which were scanned in high definition on a Millennium scanner specifically equipped for large-screen formats. Whenever possible, 3D warping technology was used by FotoKem in Burbank to blend the trims with a standard-definition transfer to compensate for color fading. The audio for the additional footage was transferred from original full-coat magnetic tracks of the road-show version and 70mm trims. Some of the scenes exist only as audio; in these instances, still photographs have been inserted for continuity.
Reconstructed and restored by: Robert A. Harris.
Producer: Karen Stetler.
Editor: Gabe Chavez.
Digital color warping: Walter Volpatto/FotoKem, Burbank, CA.
Additional color correction: Lee Kline.
Sound transfers: Chace Audio, Burbank, CA; Todd AO, Los Angeles."
As expected, the image quality of the reconstructed version of the film varies. The original footage boasts outstanding depth and tremendous clarity. The daylight footage, in particular, looks terrific - sharpness and image depth are outstanding (see screencaptures #3 and 6). Color reproduction is also very impressive. There is a wide range of exceptionally well saturated, notably vibrant and very healthy colors. Additionally, grain is beautifully resolved and evenly distributed, and there are no traces of problematic sharpening corrections.
The newly added footage has different characteristics. Depending on the quality of the surviving footage there can be contrast fluctuations, color instability, and basic image instability. Some of the trims also show signs of serious fading. The actual transitions between the restored footage and the new footage, however, are very well done. To give you an idea what type of footage has been used and how it is added to the reconstructed version, we have included a few samples below (screencaptures #15-27).
Screencaptures:
1). #15-16. Extra footage with good image stability. Color fading and mild wear are present.
2). #17-18. Stills. Used to fill gaps/transitions. Restored.
3). #19. Extra footage. With obvious traces of fading/discoloration but with good image stability.
4). #21. Extra footage. With better color stability. Some minor wear is still present.
5). #22. Extra footage. Decent quality with obvious traces of fading. With printed foreign subtitles.
6). #23-25. Stills. Excellent quality. Used to fill gaps for which there are only surviving audio elements.
7). #26. Extra footage without audio. Subtitles are included.
. #27. Still(s). Excellent quality. Used to fill gaps.
Ultimately, considering the quality of the surviving footage, the final result is indeed very good. Naturally, I think it is fair to say that the extended version of It's a Mad, Mad, Mad, Mad World presented by Criterion will remain the most complete version of the film on the home video market.
http://www.xixiHD.com/
-----------------------------------------------------
Its.A.Mad.Mad.Mad.Mad.World.1963.EXTENDED.CRITERION.COLLECTION.1080p.BluRay.DTS.x264-xixiHD
http://www.imdb.com/title/tt0057193/
Date ...............: February 10 2014
Runtime ............: 3hr 17m
Size ...............: 14.9GB
Video ..............: 1920x696
Bitrate ............: 9141kbps (x264 [email protected])
Audio 1.............: English DTS 5.1 Ch 1510 kbps
Chapters............: Yes
Source .............: 1080p.BluRay.AVC.DTS-HD.MA.5.1-v99
Subs ...............: English
Screens.............: Opening Week - 1963
Genre ..............: Action | Adventure | Comedy | Crime
Quote:
The additional footage was transferred from 70mm print trims, which were scanned in high definition on a Millennium scanner specifically equipped for large-screen formats. Whenever possible, 3D warping technology was used by FotoKem in Burbank to blend the trims with a standard-definition transfer to compensate for color fading. The audio for the additional footage was transferred from original full-coat magnetic tracks of the road-show version and 70mm trims. Some of the scenes exist only as audio; in these instances, still photographs have been inserted for continuity.
Reconstructed and restored by: Robert A. Harris.
Producer: Karen Stetler.
Editor: Gabe Chavez.
Digital color warping: Walter Volpatto/FotoKem, Burbank, CA.
Additional color correction: Lee Kline.
Sound transfers: Chace Audio, Burbank, CA; Todd AO, Los Angeles."
As expected, the image quality of the reconstructed version of the film varies. The original footage boasts outstanding depth and tremendous clarity. The daylight footage, in particular, looks terrific - sharpness and image depth are outstanding (see screencaptures #3 and 6). Color reproduction is also very impressive. There is a wide range of exceptionally well saturated, notably vibrant and very healthy colors. Additionally, grain is beautifully resolved and evenly distributed, and there are no traces of problematic sharpening corrections.
The newly added footage has different characteristics. Depending on the quality of the surviving footage there can be contrast fluctuations, color instability, and basic image instability. Some of the trims also show signs of serious fading. The actual transitions between the restored footage and the new footage, however, are very well done. To give you an idea what type of footage has been used and how it is added to the reconstructed version, we have included a few samples below (screencaptures #15-27).
Screencaptures:
1). #15-16. Extra footage with good image stability. Color fading and mild wear are present.
2). #17-18. Stills. Used to fill gaps/transitions. Restored.
3). #19. Extra footage. With obvious traces of fading/discoloration but with good image stability.
4). #21. Extra footage. With better color stability. Some minor wear is still present.
5). #22. Extra footage. Decent quality with obvious traces of fading. With printed foreign subtitles.
6). #23-25. Stills. Excellent quality. Used to fill gaps for which there are only surviving audio elements.
7). #26. Extra footage without audio. Subtitles are included.
. #27. Still(s). Excellent quality. Used to fill gaps.
Ultimately, considering the quality of the surviving footage, the final result is indeed very good. Naturally, I think it is fair to say that the extended version of It's a Mad, Mad, Mad, Mad World presented by Criterion will remain the most complete version of the film on the home video market.